The little dead

My post late last week on all the lengthy writing I’ve done made me want to look back at the so-called “4K corpses,” the novels I stopped writing at some point during NaNoWriMo, switching gears to something generally trashy but easy to write.  I thought I’d break down those stories and what I remember aboud them, including why I tossed them aside to write something else.

Lion Rampant, High Above (NaNoWriMo 2010; 4,315 words; fantasy): This was the first 4K corpse.  To be honest, I had expected at least one in the 2005-2009 timeframe, but apparently I was a stronger-willed person back then… or I had better ideas.  (Sinner Soldier Seeker Saint definitely implies the former, though, because it’s definitely not the latter.)  It was to be a fantasy novel where nations were on floating islands in an endless sky, and as they moved around they waged war on each other.  As an idea it was all right, but it wanted more plotting than I was willing to give it, particularly given that it was during 1M10 and I was already way, way, way behind on word count.  Enthusiasm–or, at least, the ability to vomit words on the page at high velocity–mattered way more to me than high concept at that point, so Lion Rampant went away and I wrote The Golden Band instead.

Apparently I jumped straight to the trash in 2013, but not before procrastinating at the beginning of the month by making a bunch of typo fixes across six or seven short stories from 1M10.  (Thanks, revision control, for making these investigations easy!)  Was I looking for inspiration or just procrastinating?  Sadly, I can’t remember.

Inclusion (NaNoWriMo 2014; 9,860 words; science fiction): This was the Iain Banks pastiche novel I alluded to in the earlier post.  I reread what there is of it a couple of months ago, and it’s honestly not bad; the real problem is that I didn’t start it until the 17th of November, and it turned out that being even a quarter as witty and clever as Banks on a two-week deadline is rather too much to ask.  It was also even more aggressively a copy of Banks than Second Law is of Egan, but at least in this case that was intentional.

Looking this up led me to realize that I wrote Ridden in less than 72 hours, from late on the 27th until a bit after noon on the 30th.  Unlike The Escapist, though, Ridden just drops dead at 50K rather than having a real conclusion, so I don’t consider it in the same category.  (Also, it’s much worse.)

The Innocent (NaNoWriMo 2017; 1,725 words; science fiction?): This was my attempt to write the “other side” of The Leftovers, a frankly amazing show in HBO, parts of which I’m potentially spoiling by even writing this sentence, so I’ll stop now.  As you can see, I barely got anywhere in it.  Something about the subject matter was just too dark for me last year, so I set it aside after a few days.  I’m unlikely to continue it, either, given the complicated nature its IP would have; although it would be easy to file the serial numbers off, that seems like cheating, and I don’t really have a passion for the story anyway.

Honorable mention goes to One Less Traveled (1M10; 11,511 words; alternate-history road trip/literary fiction), which while not done during NaNo was definitely in the mold of the other corpses.  It had an all right premise, I suppose, but it turns out that this particular picaresque in an alternate history just didn’t do anything for me.  And of course there’s Runaway, which I wrote about at greater length in the previous post.

The first surprise to me is that there were actually less of these corpses than I remember.  What that probably means is that I had other story ideas on some of those years–2013 is a likely one–but didn’t even write a single word of them down before tossing the idea in the trash.  Love in the Time of Data absolutely should have been a 4K corpse, but I toughed it out, and other than the usual “getting all the bad words out” motivation for writing a bunch of words I think I would have been much better off putting that particular novel out of its misery early on.

The second surprise is that while 4K kinda-sorta happens to be close to the actual average length, it’s actually really variable… although with only three real data points I’m not even comfortable making an engineer’s proof about it.  I stuck with Inclusion probably longer than I should have, at least partly due to the impending end of NaNo that year, and I tossed The Innocent out the back of the truck before the month even really started rolling.  I’m not sure there’s anything to learn from that, but it’s interesting to me nonetheless.

And, of course, my hard drive is littered with many other failed attempts at writing, from a couple of chapters long to just the first ten sentences or so.  Such is the life of a writer.  Will any of these aforementioned stories get picked back up and turned into something real?  I doubt it.  But anything’s possible.

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